TU/e Master · course: Research through Making

S-table

A coffee table with no fixed support. It rests on water beads, so every cup tilts it and the people around it keep it in balance together.

STABLE in the exhibition: a round, glowing acrylic tabletop with cups on purple legs, a pink STABLE sign on top.
STABLE at the exhibition. Photo by a group member.
Year
2026
Role
Group project, group 05, exhibited artefact
Keywords
Research through Making, Furniture, Distributed agency
Method

Research through Making, in a weekly rhythm: read a text, make a prototype in response, reflect on it. STABLE was the fifth prototype and grew out of the four before it.

Concept

What happens when a table's stability has to be made by the people sitting at it?

Lens
Distributed agency

The capacity to act is spread across an assemblage of people, things and forces working together (Bennett, 2010).

In S-table: cups, water beads, gravity and the people at the table keep it level between them.

Pink swollen water beads in a clear glass bowl on a purple stand.
The second version: a layer of swollen water beads carries the tabletop.
The prototypes before it
  • Note 01 String figures, after Haraway: paper plates, string and burnt matches knotted into a temporary tangle of relations. Making let us stay with the confusion a little longer.
  • Note 02 Diffraction diorama, after Barad and Bennett. People mostly described what they saw. More filters and references made it harder to read.
  • Note 03 Stupid tech, after Halberstam's low theory: a family of devices that fail on purpose. Spread over many objects, the provocation lost its focus.
  • Note 04 Who rules?, after Ingold and Pye: a ruler used the wrong way. Misuse opened new interactions.
Prototypes 01–04
Paper plates, orange string and folded paper hanging in a loose tangle.
01 · String figures · after Haraway
A slotted cardboard box on an orange table, surrounded by cut-out stickers.
02 · Diffraction diorama · after Barad and Bennett
An unfolded box printed with interface labels: WAIT Premium FASTER, HERE, NOTIFY NOBODY, CRYING, Lagging.
03 · Stupid tech · after Halberstam
Coloured marker lines and the words WHO RULES? on a paper roll, with rulers and markers lying on it.
04 · Who rules? · after Ingold and Pye
A turquoise glass bowl floating in a clear bowl of water on a pink stand in the workshop.
The first version: a bowl floating on water.
Hands press a white plate onto a flower-shaped wooden board with cork circles.
Making the base.
A glass bowl on purple legs in the workshop, with a round top resting on it.
Testing the bowl support in the workshop.
Two versions

The first version floated a salad bowl on water inside a second bowl, with the tabletop on top. A cup shifted the water, the buoyancy changed and the surface tilted. It showed negotiation directly, and it was too sensitive and too risky for an exhibition. The second version replaced the open water with absorbent water beads. They kept the sliding and tilting and made both slower and easier to control.

At the exhibition

We kept the scene sparse so the table could explain itself. Visitors sat down beside it, moved cups and watched the surface react. One person would restore the balance while another tested how far a cup could push it. The chairs, the cups and the room became part of the work. Stability came from shared attention and adjustment.

References
  1. Bennett, J. (2010). The agency of assemblages. In Vibrant Matter: A Political Ecology of Things (pp. 20–38). Duke University Press.
  2. Halberstam, J. (2011). Introduction: Low theory. In The Queer Art of Failure. Duke University Press.
Previous
Paper to Presence